Commissioned by: The Danish National School of Performance Arts
Copenhagen, Denmark. 2015
The Raw and the Cooked
2015
Created by Luis A Lara Malvacías
Performed by: 3rd-year students of the Dance Department
The Raw and the Cooked (2015) deals with issues of binaries and gender politics.
Length of Original Work: 30mins
Length of Excerpt: 6min55sec
Commissioned by: The Danish National School of Performance Arts
Copenhagen, Denmark. 2015
The Raw and the Cooked
2015
Created by Luis A Lara Malvacías
Performed by: 3rd-year students of the Dance Department
The Raw and the Cooked (2015) deals with issues of binaries and gender politics.
Length of Original Work: 30mins
Length of Excerpt: 6min55sec
Commissioned by: The Danish National School of Performance Arts
Copenhagen, Denmark. 2015
The Raw and the Cooked
2015
Created by Luis A Lara Malvacías
Performed by: 3rd-year students of the Dance Department
The Raw and the Cooked (2015) deals with issues of binaries and gender politics.
Length of Original Work: 30mins
Length of Excerpt: 6min55sec
D - 2017
Originally Commissioned by: La MaMa Moves! Dance Festival
Premiered at: The Club at La MaMa. New York. May 19th and 20th, 2017
Different versions of this work were performed at:
. Radial System. Berlin, Germany. July 15th and 16th, 2017. Commissioned by: Sasha Waltz & Guests
. Electric Lodge. Venice, Los Angeles. November 4th and 5th, 2017
Created and Performed by: Luis A Lara Malvacías & Jeremy Nelson
Costumes, Set and Props: Luis A Lara Malvacías
Music and Sound: Ivo Bol
In D (as in Death), through lamentations as cleansing, remembrance and introduction, and through ritual and slower meditation inside a clock marking a 12-hour time cycle that constantly changes from North, to South, to East, and to West, we share with the audience our reflection on Death.
From a review about D Viereinhalb Sätze said: "Splitting the stage space in two, the first offering begins sculpturally and with a gentle precision and symmetry, a softly lit, white background for strong but flowing movements, a gentle duet before spinning into an elegant and ebullient, if somewhat monastic, take on hopscotch –– there’s an incredible softness to the way the two flex their strong bodies that later on turns into charm when they reveal the intentions and inspirations behind their series of works: to create an alphabet of duets for themselves in which they explore certain concepts (for each letter stands for a word) and various ways of approaching creative processes well into their „wheel-chair age.“ From Review “A” and “D” at Radialsystem V in Berlin by Viereinhalb Sätze, Four point Five: Writing on Dance.
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Length of Excerpt: 22mins 18secs / Length of Original Work Below: 28mins 36secs
Video 1 Excerpt: 22mins 18secs
Video 2 Full Length Version: 28mins 36secs