Commissioned by: The Danish National School of Performance Arts
Copenhagen, Denmark. 2015
The Raw and the Cooked
2015
Created by Luis A Lara Malvacías
Performed by: 3rd-year students of the Dance Department
The Raw and the Cooked (2015) deals with issues of binaries and gender politics.
Length of Original Work: 30mins
Length of Excerpt: 6min55sec
Commissioned by: The Danish National School of Performance Arts
Copenhagen, Denmark. 2015
The Raw and the Cooked
2015
Created by Luis A Lara Malvacías
Performed by: 3rd-year students of the Dance Department
The Raw and the Cooked (2015) deals with issues of binaries and gender politics.
Length of Original Work: 30mins
Length of Excerpt: 6min55sec
Commissioned by: The Danish National School of Performance Arts
Copenhagen, Denmark. 2015
The Raw and the Cooked
2015
Created by Luis A Lara Malvacías
Performed by: 3rd-year students of the Dance Department
The Raw and the Cooked (2015) deals with issues of binaries and gender politics.
Length of Original Work: 30mins
Length of Excerpt: 6min55sec
C - 2017
Originally Commissioned by: REDCAT for the 14th Annual New Original Works Festival
Premiered at: REDCAT as part of the 14th Annual New Original Works Festival . August 10th to 12th, 2017
Created and Performed by: Luis A Lara Malvacías & Jeremy Nelson
Costumes, Set and Props: Luis A Lara Malvacías
Music and Sound: Ivo Bol
The work started with our need as artists and choreographers to add our voice to the political situation and environment of that moment. We decided that the privilege of having a commissioned invitation to perform on a formal stage, and already having a choreographic frame from our project From A to Z, provided the perfect situation to create C (as in continuum).
We started with the task of observing our daily life, as partners and choreographers living together, over a long period of time. A major aspect of what we observed was how news reports formed a constant presence in the background of our domestic environment – one that we could not escape. The final form of the work combines a beginning using rhythmical patterns in unison and a projected video in the form of a video game. A digital clock runs above the video for the duration of the piece (exactly 20 minutes) as if counting down the seconds before an impending disaster. As we introduce a dining table, lamps, chairs, plants transforming the stage into a domestic space, the video shifts to images of the news, clouds and sky which gradually become darker and more threatening. The work ended with the banging of pots while repeating the formal dance from the beginning.
Click
for a review by Julian Cartes at DANCE MATTERS
Length of Excerpt: 21mins 8secs / Length of Original Work: 27mins 26secs
Video Sample Excerpt: 21mins 8secs